从“惊奇”到“好奇”——传媒时代文学经验的危机与救赎

From "Surprise" to "Curiosity" :Crisis and Salvation of Literary Experience in the Media Era

传媒文化对好奇效应的刻意制造,使文学经验的发掘和呈现面临严重危机。情绪上的"贪新鹜奇"使人只有外在经历的增加,而没有内在经验的积淀。"震惊"效应,是传媒时代好奇生产的极端状态,它扰乱人接受事物的感性秩序,阻碍事物进入意识,最终无法进入经验。惊奇,则是开启文学经验创造的内在心理状态,它是在拆解传媒话语对事物的层层覆盖,发现事物的感性丰富性之时,获得的一种审美快感。科学理性和日常生活,是传媒话语被祛魅之后作家需要救赎的两个领域。唯有经过文学审美形式的涵容,二者方能再度"经验化",重新走进文学经验的世界。

The curiosity effect produced intentionally by the media culture has caused a crisis in excavation and presentation of the literary experience. Emotional pursuit of novelty and peculiarity resulted in an increase of external experience rather than internal experience. The ＂shocking＂ effect is the extreme state of curiosity production in the media era, which disturbs the perceptual order of the people, and hinders things from consciousness and finally from entering the experience. Surprise is the inner psychological state of initiating the creation of literary experience; it is a kind of aesthetic pleasure in the time of dismantling the cover of things in the media discourse and discovering the perceptual richness of things. Scientific rationality and everyday life are the two fields that writers need to redeem after the disenchantment of media discourse. Through cultivation of the cultural aesthetic form, the two sides can re-experienced and re-enter the world of literary experience.