摘要
造型艺术对个体情感的表现与个体心灵的探索源自文艺复兴,在分析"情感"的内涵与层次的基础上,文章认为基督教的情感主义为造型艺术的情感表现奠定了基础,而宗教情感的世俗化,特别是圣母崇拜直接推动了造型艺术的情感表现,从乔托到达·芬奇的艺术家在这一过程中取得了伟大成就,这也造成了艺术的宗教功能被审美功能超越。
Expression of individual emotion in plastic arts and its exploration to individual soul originated from the Renaissance. On the basis of analysis of connotation and layers of "emotion", the paper holds that emotionalism of Chris tianity lays foundations for emotion expression in plastic arts, and secularization of religious emotion, especially, the cult of the Virgin Mary, promote the emotional expression in plastic arts. The artists, from Giotto to Da Vinci, obtained great achievements during the process, and the aesthetic function of arts also surpassed its religious function.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2017年第4期109-116,共8页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
上海市教委高峰高原建设计划(哲学)的阶段性成果
关键词
情感
艺术
文艺复兴
emotion, arts, Renaissance