徐訏小说语言的诗性建构

The Poetic Construction of the Language of Xu Xu's Novels

文学脱胎于语言,是语言的一种艺术化和再创造,没有语言就没有文学。语言是文学的外衣和载体,只有不断创新语言,文学才能恒久弥香。徐訏是个有着多重身份、兼具多重修养的作家。他一生涉猎小说、诗歌、散文、戏剧、心理学、哲学等多重领域。丰富的诗歌理论修养和诗歌创作实践经验以及哲学、心理学的多重修养为徐訏小说语言的诗性建构提供了可能。徐訏小说语言的诗性建构具体体现在引诗、歌入小说,借鉴诗歌语言的节奏,运用含蓄蕴藉的语言,引哲理入小说等四个方面。徐訏正是用写诗的笔来写小说,以诗人的浪漫、敏感和哲学家的审慎、理智来建构小说语言,使小说语言也像诗歌一样灵动、飘逸,诗意盎然。

Literature is a kind of art and reinvention of language. Without language there is no literature. Language is the coat and carrier of literature, and only in an innovative language can the literature be ever lasting. Xu Xu is a writer with multiple identities and multiple artistic disciplines. He spent his life dabbling in fiction, poetry, prose, drama, psychology, philosophy and so on. Rich poetic theory accomplishment and poetry creation practice as well as philosophy, psychology, multiple academic accomplishments provide a possible novel language for his poetic construction. Bon’owdng poetry theory, this article analyzes the poetic construction of Xu’s novel language from four aspects： the poems and songs in the novel, the rhythm of the language of poetry, the implicit language, and philosophy in the novel. Xu writes novels with a pen of poetry, and constructs the language of his novels as a romantic and sensitive poet and a prudent and rational philosopher, making the language of his novels as charming, elegant and lyrical as the language of poetry.