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“古典的”与“现代的”:《野草》语言的两幅面孔——以《野草·题辞》中的“捉对”现象为中心

Classical and Modern:The Two Faces of the Language of The Weed——With the Phenomenon of“Zhuo Dui”as the Center
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摘要 《野草》历来备受鲁研界的推崇与爱重。然而在其"阅读史"上,研究者多从"历史的"或"哲学的"思路出发,鲜有语言方面的"文学的"深入研究。尤其,《野草·题辞》作为全书的"解题之篇",即以"捉对"之法,形象绘就了《野草》语言兼备"古典"与"现代"的两幅面孔,而这亦将成为探幽鲁迅复杂心灵图景的重要途径。 The Weed has always been highly respected and loved by the research circles of Lu Xun.However,standing on its'reading history',researchers are mostly from the approach of'historical'or'philosophical',few in-depth study on the language's'literature'.In particular,preface of The Weed,as the key to interpret the book,with 'zhuo dui',paints the image of two faces which are 'classical'and'modern',becoming an important way for exploring the complex mentality vista of Lu Xun.
作者 任慧
出处 《江南大学学报(人文社会科学版)》 2017年第4期64-67,共4页 Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词 《野草》 “捉对” “古典之形” “现代之义” 心灵图景 The Weed 'Zhuo Dui' 'The Form of Classics' 'The Meaning of Modernity' Mentality Vista
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