摘要
在中国现当代女性小说中,出身于资产阶级和封建地主家庭的少奶奶形象少有人评论。《母亲》《倾城之恋》《结婚十年》《续结婚十年》《流逝》《玫瑰门》等作品展现了少奶奶这一特殊群体从辛亥革命到80年代自我救赎的心路历程。她们的自我救赎紧跟时代步伐,贴近生存本质,救赎的过程曲折迂回,充满艰辛。相对于知识女性,生存苦难是少奶奶自我救赎的共同前提,积极入世是她们自我救赎的共同标签,少奶奶的自我救赎具有一定的有限性和滞后性。
There are few comments on the images in Chinese modern and contemporary female novels of young mis-tresses,who come from bourgeoisie and feudal landlord families.The self-salvation psychological changes of the young mistresses as a special group from the 1911 Revolution to 1980 shave been described in such literary works as Mother,Love in a Fallen City,Marriage for Ten Years,Marriage for Ten Years Continued,Passing and Rose Door,etc.Their self-salvation keeps up with the time,presses close to the essence of surviving,the course of which is zigzagged and circuitous,full of hardships.Contrasted to the female intellectuals,sufferings from survival as the common premise for the self-salvation of the young mistresses and active going into the society as the common label,the self-salvation of the young mistresses is of some limitation and hysteresis quality to some extent.
出处
《苏州科技大学学报(社会科学版)》
2017年第4期45-50,共6页
Journal of Suzhou University of Science and Technology(Social Science Edition)
关键词
女性小说
少奶奶
自我救赎
时代浪潮
生存苦难
female novel
young mistress
self-salvation
waves of the time
sufferings from survival