摘要
李睿珺在《老驴头》《告诉他们,我乘白鹤去了》《家在水草丰茂的地方》三部影片中,都运用充满诗意的镜头语言诉说着作为"地之子"的中国西北农村老百姓们的生存困境,也在现实主义的基本诉求中,透露出对现代化侵袭精神家园的批判态度。本文以"李睿珺的电影三部曲"为研究对象,试图考察三部影片中所呈现的乡土世界,并从中一窥乡土文化中最富有历史深度的精神缩影。
In Li Ruijun＇s films The Old Donkey, Fly with the Crane and River Road, which are called Li Ruijun, s film trilogy, there are full of poetic lens languages. The films show the survival dilemma of the rural old people in the northwest of China and also reveal the critical attitude on the modernization which has damaged the land and spiritual home. Taking “ Li Ruijun’ s film trilogy” asthe research object, we are trying to investigate the local world＇ s nature, and give a glimpse to the thought, spirit, dream and the value of the local culture.
出处
《文化艺术研究》
CSSCI
2017年第2期108-112,共5页
Studies in Culture and Art
关键词
李睿珺
诗意性
乡土叙事
批判
Li Ruijun
poetic
native narration
critique
