《征婚启事》中可见与不可见的表意空间

The Visible and Invisible Space in The Personals

中国台湾女作家陈玉慧的实验性小说《征婚启事》由台湾著名导演陈国富改编成电影,前者注重的是以冷静客观的文字忠实记录当下感受,而后者在影像中展示了都市人集体性的焦虑不安。本文不仅从文学和电影的互动角度着重细致分析了原著和电影改编之间的异同,而且在精神分析的视域中,借用心理剧的观点尝试进一步挖掘影片中可见与不可见的表意空间。

Taiwan writer Chen Yuhui,s experimental novel The Personals was adapted by famous Taiwan director Chen kuo-fu into a movie. The former pays attention to recording actual feelings by objective words, while the latter shows the collective anxiety of urban residents through images. This article not only analyzes the similarities and differences between original novel and cinematographic adaptation from the view of interaction in literature and film, but also further explores visible and invisible significant space in the film in the vision of psychoanalysis from the perspective of psychodrama.