新世纪以来国内中晚明诗画关系研究述评——以个案型研究为考察范围

Review on Studies of Relationship between Domestic Poetry and Paintings in Late Ming Dynasty since the Beginning of the 21^(st) Century——Taking Case Study as Research Scope

中晚明时期是我国古典诗画关系发展较为突出的历史阶段之一。对中晚明诗画关系的研究现状进行考察与反思,是学界进行深入拓展的必要环节。新世纪以来,国内学者有关此方面的专题型考察,根据研究目的可划分为"因画及诗""因诗及画""诗画同论"三类。每一类均有不同学者在不同程度上的关注与探讨,展现了新时期国内学者对中晚明诗画关系研究的基本形态。其中折射出的学术效应及研究展望,主要在于:断代研究整体滞后,有待于更多学人的广泛参与;诗画关系研究需具备打破学科局限的"跨学科"意识;研究对象过于集中,存在较大可开拓空间;创作与理论需相结合。

The period of late Ming Dynasty is one of the outstanding historical stages in the develop-ment of the relationship between Chinese classical poetry and paintings. To investigate and reflect upon the current status of research on the relationship at the time is essential for academic develop-ment in a deeper way. Since the new century, domestic research in this field can be divided into such three categories as studies “from paintings to poetry” “from poetry to paintings” and “poetry and paintings at the same time” . Each category has been discussed by different scholars, showing a basic form of related research in the 21st century. Problems and prospects lie in an overall lag of synchronic research, expectation of more scholars ＇ involvement, ‘‘ interdisciplinary’,consciousness of breaking limitations of disciplines, expanding of research objects, and combination of creation and theories.