摘要
黑格尔曾称美国为"未来国土",此称如今有了回声,即意味后现代主义文学里美国声音最大的"美国中心主义"。但是这种"主义"不应使我们看不见这个事实:后现代主义文学是国际性的,各国若有也只有自己的后现代主义文学,因为任何文学总是被该国的历史进程影响、决定。粗略地考察一下各国不同的后现代主义文学便可看到,正是这些不同形成多样的国际后现代主义文学。
As an echo to Hegel's designation of U. S. as "the land of the future", there exists "Americanocentrism" in literary post- modernism, which means the American voice is the loudest. However, this "-ism" should not blind us to the hard fact that post- modernism is international, and that every country has literary postmodernism of their own as literature of any kind is always influenced and even determined by that country's unique history. A brief survey of the varieties of different countries' literary postmedernism reveals that it is these varieties that make up the plural international literary postmodernism.
作者
胡全生
Hu Quan-sheng(Shanghai Jiao Tong University, Shanghai 200240, Chin)
出处
《外语学刊》
CSSCI
北大核心
2017年第4期115-121,共7页
Foreign Language Research
基金
国家社科基金重大项目"战后世界进程与外国文学进程研究"(11&ZD137)的阶段性成果