摘要
《穆斯林的葬礼》运用整体倒叙的结构,从未亡人的视角,以前行的时间来追述业已终止的时间,通常的代际谱系被这种双线交错的叙事完全打破。各章节中的多处插叙挖掘了历史的背面,对"玉长河"的重复叙述作为插叙的重要内容之一,其本身也隐喻着永恒与有限。《穆斯林的葬礼》对古老的叙事结构进行了重新书写和改装,具体表现为"才子佳人"式爱情的不断破灭和"复仇"模式的再现。
The Muslim ,s Funeral adopts the narrative art of flashback from the perspective of a widow, which breaks the normal intergenerational spectrum. The narration in several chapters interspersed with flashbacks explores something behind the history..As an important part of flashbacks, the repetitive narra- tion of "jade river" is a metaphor of eternity and finity. The old narrative structure is recreated and modi- fied in The Muslim , s Funeral by the narration of the shattering of the genius-and-beauty romance and the reappearance of the model of revenge.
作者
陈芳喆
CHEN Fang-zhe(School of Chinese Language and Literature, Beijing Normal University, Beijing 100875, China)
出处
《河北北方学院学报(社会科学版)》
2017年第3期28-31,共4页
Journal of Hebei North University:Social Science Edition
关键词
《穆斯林的葬礼》
叙事结构
倒叙
插叙
TheMuslim'sFuneral
narrative structure
flashback
narration interspersed with flash-backs