摘要
立体之形体为雕塑的本体语言,大自然万物之形态是雕塑语言之源。雕塑的立体构成形式,又汇聚了诸多的造型语言之要素。同时,如何将这些难以累计又极为丰富的雕塑作品进行区分或分门别类,当下可根据作者对现实物象的审美倾向和艺术手法,归纳划分为具象、抽象、意象三种。
3D form is the ontology language of sculpture, and the forms of things in nature are the source of the language of sculpture. The forms of 3D composition of sculpture consist of a great many composition elements of plastic language. As for the way to distinguish these countless and rich sculptures from one another and to categorize them, at present, we can divide them into three categories according to sculptors' aesthetic tastes of real world images and their ways to interpret them: figurative sculpture, abstract sculpture, and imaginary sculpture.
出处
《天津美术学院学报》
2016年第9期62-69,共8页
Northern Art:Journal of Tianjin Academy of Fine Arts
关键词
本体语言
形体
构成要素
具象
抽象
意象
ontology language
form
composition elements
figurative
abstract
imagery