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语言与手法——雕塑造型理论研究

Language and Technique: A Study of the Theory of Sculpture Modeling
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摘要 立体之形体为雕塑的本体语言,大自然万物之形态是雕塑语言之源。雕塑的立体构成形式,又汇聚了诸多的造型语言之要素。同时,如何将这些难以累计又极为丰富的雕塑作品进行区分或分门别类,当下可根据作者对现实物象的审美倾向和艺术手法,归纳划分为具象、抽象、意象三种。 3D form is the ontology language of sculpture, and the forms of things in nature are the source of the language of sculpture. The forms of 3D composition of sculpture consist of a great many composition elements of plastic language. As for the way to distinguish these countless and rich sculptures from one another and to categorize them, at present, we can divide them into three categories according to sculptors' aesthetic tastes of real world images and their ways to interpret them: figurative sculpture, abstract sculpture, and imaginary sculpture.
作者 张向玉
出处 《天津美术学院学报》 2016年第9期62-69,共8页 Northern Art:Journal of Tianjin Academy of Fine Arts
关键词 本体语言 形体 构成要素 具象 抽象 意象 ontology language form composition elements figurative abstract imagery

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