摘要
我们对于当代雕塑的诸多描述,例如"泛雕塑""装置化的雕塑""跨界雕塑"等等,很大程度上只是基于形式因素和物理形态来进行的,这或许与现成品在当代雕塑中的普遍运用有关,但当代雕塑的核心价值与本质特征却不在于是否使用现成品,而是在于它的观念化倾向。
Many of the words we have used to describe contemporary sculptures, such as "pan-sculpture", "installation-oriented sculpture", "interdisciplinary sculpture", are largely based on formal factors and physical form. It perhaps has something to do with the widespread use of ready-made in contemporary sculpture. However, the core value and essential character of contemporary sculpture lies not in the use of ready-made, but in its trend of conceptualization.
出处
《天津美术学院学报》
2016年第8期106-108,共3页
Northern Art:Journal of Tianjin Academy of Fine Arts
关键词
当代雕塑
观念
现成品
contemporary sculpture
concept
ready-made