摘要
在哈罗德·布鲁姆的批评生涯中,英国批评家撒缪尔·约翰逊一直扮演着重要的先驱角色。布鲁姆认为约翰逊是西方文学历史上最伟大的文学批评家,至今无出其右者。前者从后者那里继承了一系列的文学批评原则和标准:创造性、智慧性、文学性、个性等。无论是他的"影响的焦虑"理论,还是他的莎士比亚批评,都可以从中发现约翰逊的影响。但是,作为一位视创新为批评伦理的理论家,布鲁姆并没有囿于他的"约翰逊之爱",而是以自己强大的创造力洞穿了它。带着从约翰逊那里继承来的遗产,布鲁姆构建起了属于自己的文学批评大厦。
As one of the most important critics, Harold Bloom thinks that his pr Johnson is the greatest of the Western literary critics. It would be difficult to find hi Bloom has succeeded a series of principles and criterions of literary criticism from Dr. ecursor Samuel s rival. Harold Johnson, such as creativity, thoughtfulness, literariness, and personality. We can see the influence from Dr. Johnson in Bloom's theory of 'the Anxiety of Influence' and criticism of Shakespeare. Nevertheless, Bloom, as a theorist 'Dr. Johnson love', Dr. Johnson, Bloom who regards originality as the ethics of criticism, has not been limited by his and perforated it. As a result, with the inheritance that he had succeeded from structured his own edifice of literary criticism.
出处
《北方工业大学学报》
2017年第3期66-71,65,共7页
Journal of North China University of Technology
基金
2012年教育部人文社会科学青年基金项目"哈罗德.布鲁姆‘内在性’诗学研究"(12YJC752008)