勃拉姆斯《弦乐六重奏》(Op.18)中的“家庭音乐性”

House-music Features in String Sextets by Brahms

19世纪上半叶是欧洲业余音乐迅速发展的时代,大量为业余爱好者写作的作品诞生。"家庭音乐"(Hausmusik)是德国特有的音乐形式,此一时期社会经济的变革使得中产阶级兴起,业余音乐市场迅猛发展,"家庭音乐"就是该市场发展下的产物。身处该环境下的德国音乐家勃拉姆斯活跃于业余音乐领域的创作,但这一部分研究至今未能引起重视。Op.18是勃拉姆斯的第一部弦乐六重奏作品,具有较强的娱乐性,属于"家庭音乐"的范畴。文章通过对该部作品的历史、文本以及社会环境等多方面的分析,提出该作品具有"家庭音乐性",同时衍生到整个19世纪家庭音乐创作,尝试了解这一时代该领域的创作情况。

The first half of the 19th century was the time during which amateur music was rapidly growing up along with economic advancement in Europe. Musical works for amateur musicians among the rising middle class were largely published, including a particular music genre ＂House -music＂ （Hausmusik） promoted by the music publishers in Germany. As an activist in this environment, Brahms contributed many works in this category that have not been fully studied by us. Taking String Sextets Op. 18, hisfirst popular piece in this genre, as a sample, this paper analyzesits features link- ing to the significances of music history, social environment, musical form, and family entertain- ment.