摘要
苗族斗文化是苗族在祖先崇拜催衍下各种斗争实践的产物,是苗族乃至中华民族文化中最灵动的组成部分,主要可分为与恶鬼邪神斗、为正义和荣誉的与人争斗及节庆民俗活动中的牲畜互斗等三种类型,具有鲜明的个性特征。苗族斗文化在不断的社会实践中凝集了苗族生存斗争及其与中华文化不断融合共进的社会记忆,其活态传承经历了由生存到生活、由悲情到乐观、由愚昧到文明、由宗教到科学、由被动到主动的实践与创新的漫长过程,对民族优秀文化的传承具有较高的参考价值。
Miao fighting culture is the ancestor worship from the product of all kinds of practice fighting, is the most dynamic part of the Chinese nation of miao nationality and culture is, mainly can be divided into the fighting, and the evil spirits ahriman for justice and honor fights with people and animals fight festival folk-custom activities of three types and forms, Has a distinct personality. In the constant practice agglutinate the miao straggle for life and with the continued convergence of the Chinese nation's social memory, Miao fighting culture live transmission has experienced the long prac- tical process from survival to life, from sadness to optimism, from ignorance to civilization.,from religion to science,from passive to active, and has high reference value for every Chinese nation excellent culture heritage.
出处
《地方文化研究》
2017年第1期53-58,共6页
Local Culture Research
基金
2016年度国家哲学社会科学基金一般项目"国家认同视域下西南跨境民族体育融通与边疆治理研究"(项目批准编号:16BTY011)的阶段性成果
关键词
祖先崇拜
苗族
斗文化
活态传承
实践道路
Ancestor worship
Miao
Fighting culture
Live transmission
Practice way