风格判断的依据及方法——关于水彩画作品的形式研究

The Basis and the Method of Judging Style——Research on the Form of Watercolor

当代中国水彩画发展进程中官方展览具有不可替代的重要作用,在与水彩画展相关的诸多因素中,展览的评奖是最重要的方面。艺术的价值在于创造,具有转型风格的作品在水彩画发展进程中更加具有学术价值。不论是展览评奖(美术批评),还是案例分析(美术本体研究)都在风格价值判断这个点上交叉。在众多研究美术作品形式风格的理论中,瑞士美术家海因里希·沃尔夫林的理论更具指导意义。以他的形式风格分析方法为基础,结合中国官方水彩画展览的典型作品案例,从风格特征的判断、民族文化传统的影响、作品时代背景等方面多角度、多维度进行解析,力图使水彩画风格的成因研究具有可依据的方法和理论支撑,从而为水彩画创作和教学提供有效的方法和理论依据。

During the process of the development of contemporary Chinese Watercolor,the Official Watercolor Exhibition played an irreplaceably important role.Among the multiple factors related to watercolor exhibitions,the exhibition award is the most important aspect.The value of art is creation,those with transformation style works are more important.Whether the exhibition Awards（Art Criticism）,or case studies（Art Ontology Research）,they both have the point cross on the style of value judgment.Among many researches on the theory of stylish,Swiss artist Heinrich Woerfulin＇s theory is with more guidance significance.In this thesis,I try to regard his style analysis method as the foundation,making research by combing with the official Chinese Watercolor Exhibition typical works.Analysis from multi angle and multi dimension,such as the style of judgment,traditional culture influence,the background of the works.Trying to make a reliable methods and theoretical basis for watercolor on the origin of watercolor style,thus could provide an effective method and theory basis on watercolor creation and education.