摘要
"塞尚之惑"远远超越了一个艺术家对自己艺术创作的怀疑、困顿和疑惑,更指向了形而上学的根本问题。从"生命之惑"、"自由之惑"和"世界本真之惑"三个方面深入地探讨这一问题所蕴涵的形而上学问题,认为,塞尚的"生命之惑"本身就是对其生命与创作的双重"描述",既是作品意义的历史性生成的过程,也是其自然生命与艺术生命合一的历史过程。塞尚的疑惑、怀疑、困顿与塞尚的自由创造是共时性的存在,其疑惑与困顿虽然作为自由创造的端倪,但却不构成创造的原由,也不能由这种疑惑与困顿获得解释。塞尚之惑从直观来讲,表现了他对自己生命的怀疑,对自己作品不被认可的疑惑,但从根本上却在追问他是否可能、如何可能去呈现世界之"真"。
The Cezanne's Doubt is a problem,which transcended a problem as a doubt of a artist doubt,distrust and suspect himself with it.It is a basic problem of metaphysic.The paper argued the implication of this problem from doubt about life,doubt about liberty and doubt about the truth of world.This paper contends that the doubt about life in Cezanne is the describing of the life and creation,and the progress of producing historical mean of works,and the procedure of the nature life and the article life as one.The Cezanne's Doubt is living with the liberal creation at the same time.It is the beginning of liberal creation,but is not its reason,and cannot be explained by it.In institution,the Cezanne's Doubt is the suspect about his works,but it quests about the question that he has or not the ability to describe the truth of the world.
出处
《东北师大学报(哲学社会科学版)》
CSSCI
北大核心
2017年第4期165-169,共5页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
基金
吉林省教育科学规划一般项目(GH150357)
关键词
塞尚之惑
存在
现象学
艺术
Cezanne's Doubt
Being
Phenomenology
Artist