摘要
新诗在发展过程中,文本成熟的魅力与审美的陌生感相伴相生。形式的无限打开使得新诗诗人拥有无限的话语权。相对于古诗而言,话语权的解禁是幸事,但也面临文本现场失控的风险。传统的解读诗歌的方法对待新诗文本时越显迟滞、沉重,以纯粹的文学性、社会性考量诗歌文本也已经成为许多诗人并不买账的标尺。诗与非诗的争论由来已久,但诗歌文本投入到当前文化的姿态越来越明确。在众多的非诗因素中,情感伦理、现实物象、合理化想象并不能占据文学文本中心的要素,却有可能成为文化文本的重要标尺,而新诗的每一次突破都昭示着它以文化文本的身份脱离文学文本的开始。
In the development of new poetry, the charm of mature text and aesthetic strangeness are con- comitant with each other. The unlimited opening of form makes the new poetry poets have unlimited right to speak. Compared with ancient poetry, the lifting of the right to speak is a blessing, but it also faces the risk of losing control of the text scene. The traditional methods of interpreting poetry are more sluggish and heavy when dealing with new poetry texts, and the poetic texts, which are purely literary and social, have become a standard that many poets do not use. The controversy between poetry and non poetry has lasted for a long time, but the at- titude of poetry texts into the current culture is becoming more and more clear. In the many factors of poetry, e- motion and ethics, realistic images, reasonable imagination, the three elements can not occupy the center of lit- erary text, but it may become an important yardstick of cultural texts, and poetry every breakthrough, there may mean that it began to emerge from the cultural texts of literary texts.
出处
《内蒙古社会科学》
CSSCI
北大核心
2017年第4期145-150,共6页
Inner Mongolia Social Sciences
基金
国家社科基金青年项目"文化研究--理论旅行与本土化实践研究"(编号:14CZW007)
关键词
非诗因素
情感伦理
现实物象
合理化想象
记忆范式
Non Poetic Factors
Emotional Ethics
Realistic Image
Rationalization
Imagination
Memory Paradigm