朱光潜后期美学的历史地位

On the Historical Position of Zhu Guangqian's Later Aesthetics

朱光潜后期美学同时具有认识论美学与实践美学特征 ,典型地体现了 2 0世纪后期中国美学从认识论美学向实践美学过渡的历史轨迹 ,是这一演变的中介形态 ,它具有哲学美学、认识论美学、实践美学与马克思主义美学等 2 0世纪后期中国美学之共性 ,同时又在美学学科意识和审美主体论两个方面显示出强烈的学术个性。由于时代的制约 ,朱光潜先生未能建立起一个较为完备的美学理论体系 ,但是 。

Zhu Guangqian's later aesthetics has the characteristics of both theoretical aesthetics and practical aesthetics,manifesting the historical trail of the 20 th century Chinese aesthetics from theoretic aesthetics to practical aesthetics.Zhu's aesthetics is the medium of the evolution.It has the common features of the late 20 th century Chinese aesthetics such as philosophical aesthetics,theoretical aesthetics,practical aesthetics and Marxist aesthefics as well as its own academic individuality in aesthetical consciousness and aesthetical subject.Owing to the limitation of the times;Mr. Zhu failed to formulate a complete theoretical system of aesthetics,but his theory still has a broad prospect both in theoretical aesthetics and in practical aesthetics.