拾遗索隐太平史,一字千金勘定难——谈梁岵庐先生《天朝遗事杂咏百首》的格律特点

On the Metrical Features of Liang Hulu's 100 Poems Chronicling the Stories of the Heavenly Kingdom of Peace(天朝遗事杂咏百首)

《天朝遗事杂咏百首》是梁岵庐先生研究太平天国史的代表作,以百首七绝的形式,将太平天国革命波澜壮阔的兴亡史,吟咏连缀成文,生动记述了太平天国的人物史迹、语言文化、风土人情和珍闻佚事,是一部脍炙人口、才情并茂的上乘史诗,具有很高的史学价值和文学价值。格律是考察梁岵庐先生古诗创作成就和语言艺术风格的一个重要视角。从用韵、平仄和对仗三个方面进行考察,可以发现《天朝遗事杂咏百首》的格律特点可归结为三句话:1.谨守平水韵,首句多入韵,多用第三种和第四种平仄格式;2.严守"一三五不论,二四六分明"的规则,少用拗救;3.构成对仗的词组和句子口语化和有序化。

100 Poems Chronicling the Stories of the Heavenly Kingdom of Peace（ 天朝遗事杂咏百首） is a representative work of Liang Hulu（ 梁岵庐） dedicated to the study of the Taiping Heavenly Kingdom Movement. The100 poems in the form of seven-character-quatrain chronicle the rise and fall of the Taiping Heavenly Kingdom of Peace,covering a wide range of things such as prominent personages,language and culture,folk customs,anecdotes,et cetera. Therefore,it is of huge historical and literary value. This paper examines Liang＇s creative attainment and linguistic and artistic style from a metrical perspective,especially in light of the three aspects of rhyming,tonal patterns and antithesis.