社会学视野中实践美学的生成机制与知识学谱系

The Generative Mechanism and Knowledge Pedigree of the Practice Aesthetics Under the Sociological Perspective

实践美学作为"美学热"讨论的主要内涵,在主体性理论、美感的产生、形象思维、精神实践、主体文化心理结构等多个维度丰富了美学的概念与本质,推动了美学学科的进一步发展。而从知识社会学的视野来看,实践美学的产生和发展,正是在意识形态反思和人道主义美学的张力中进行的,所以就呈现出马克思主义的实践性和美学意识形态的反思性相互融合的局面,而实践美学的蔓延则是对意识形态话语与美学精神的双重关照的结果。美学自身如果需要高扬主体性的自由意识和感性力量,就要在马克思主义理论和逻辑框架中进行,从马克思主义的经典著作和理论体系中以"六经注我"的方式完成崭新的美学话语的塑造。实践美学的未来同样需要社会学层面的考量,并在价值论、马克思主义理论和意识形态论中不断前行。

The practice aesthetics, as the main connotation of the great upsurge of aesthetics, has fertilized the concept and essence of aesthetics in many aspects such as subjectivity, imagery thinking, the generation of beauty, spiritual practice, the cultural psychology of the subject. It has promoted the further development of Aesthetic. From the perspective of knowledge sociology, the practice aesthetics has been born and developed in the tension of political ideology and the aesthetics of humanitarian so that there is always a mutual antagonism caused by the dominance of political ideology and the resistance of aesthetic ideology, and the extension of the practice aesthetics is pushed forward by both the ideological discourse and aesthetic spirit. The expression of freedom and perceptual power in aesthetics should be based on an absolutely new aesthetic ideology abstracted from the classical works and thetheoretical system of Marxism in the way of＂ all the six classics are noted to myself＂. The future of the practice aesthetics is also concerned about sociology and will go forth in the theory of value, Maxism and its ideology.