摘要
当今的艺术已发展到“无可不为”的境地。这不仅包括对传统的背离 ,也包括对传统的吸收。前者多表现出对观念的热衷 ,后者则显出对技能的重视。所举作品因内容、载体及各自的文化背景、内涵的碰撞而产生了超越技艺层面的心理效果。
The art of this period has developed to the all\|useful level, which shows not only the deviation from tradition but also the absorption to tradition. The former is keen on the concept while the latter attaches importance to the skill. The two works in this article should belong to the scope of the latter. When they are placed together, because of the conflicts of content, genera, connotation and cultural background, the psychological effect beyond the skill has taken place, which seems to be a conceptual work. The author is not sure whether the functional shift of these two arts is a“regeneration” or “lose”of aesthetic spirit.
出处
《杭州师范大学学报(自然科学版)》
CAS
2002年第1期100-102,123,共4页
Journal of Hangzhou Normal University(Natural Science Edition)
关键词
书法
雕塑
功能转化
calligraphy
sculpture
functional shift