摘要
美学理论研究的最终目的应是指导、推动艺术实践的发展,因此如何实现从"审美"到"表达"的质的飞跃,是每一个艺术门类都应该探寻的问题。论文从琵琶演奏实践领域出发,结合美学理论与演奏经验,探寻琵琶演奏中"审美"与"表达"的内部联系,为更加完美地解读、诠释、演绎琵琶特有的器乐化音乐语言探索可行之路。
The final purpose of aesthetic theory research is supposed to guide and promote the development of art practice. So ev- ery art category should explore an issue that how we can achieve a qualitative leap from aesthetic appreciation to expression. The thesis is based on practice areas, combining aesthetic theory and performing experience, which explores the internal communication between the aesthetic appreciation and expression of the Pipa performance. The thesis also explores a feasible way in order that we can under- stand, interpret, perform a unique instrumental musical language of Pipa more perfectly.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2017年第7期144-147,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
审美
表达
琵琶演奏
音乐语言
aesthetic appreciation
expression
pipa performance
musical language