超越的背后——余华小说的变异与承继

余华在90年代以流畅的故事叙述、人道主义的文学主题标示其创作背离了他在80年代后期的先锋实验,一度被人们认为他在90年代丧失了先锋性。潜心研究余华此时的作品,我们会发现余华貌似回归到文学的现实主义传统,实质是以此介入当下文化语境,重新捕获读者的认同,利用大众趣味巧妙地传达其对现实的批判性认识,其小说的艺术形式依然承继了他前期的先锋探索。

Yu Huas smooth depiction and humanitarian literature theme in 90s represents that his indication has deviated from his avant-gardism experiment in late 80s,and is once considered as having lost his avant-gardism in 90s. Going deep into Yu Hua’s work of that time, we’ll find that Yu Hua seems to have return the realism traditional, while in fact, he is interring present culture and tongue environment through it, and regains readers’ admiration. He subtly conveys his critical viewpoint of the reality according to the common interest, and the artistic form of his novels still inherits his former avant-gardism.