摘要
女性文学作品中的疾病叙事非常多,但多数评论关注女病人,极少对作品中的医生形象和医患关系进行系统的分析。该文以《黄色的墙纸》《觉醒》和《钟形罩》三部女性文学的代表作为例,说明在女性疾病叙事中,女病人对医生的角色期待是作为女性与男权文化的沟通者,沟通的成败取决于医患关系的模式。而医生思维模式和性别的差异形成了三种不同的医患关系模式——以《黄色的墙纸》为代表的家长—婴儿式,以《觉醒》为代表的家长—青少年式和以《钟形罩》为代表的成人—成人式,这三种模式共同反映了女性在男权文化下的生存状态以及对平等沟通模式的渴望。
Disease narration is common in female literature, but most comments concentrate on patients and rarely make systematic analysis on the image of doctor and doctor-patient relationship. With The Yellow Wallpaper, Awakening and The Bell Jar as examples, this paper argues that in female disease narration, female patients expect doctors to be a communicator between female and the patriarchal world, and the effect of treatment depends on doctor-patient relationship. And the differences in thinking mode and gender distinguish 3 modes of doctor-patient relationship——parent-infant relationship characterized by The Yellow Wallpaper, parent-adolescent relationship characterized by Awakening, adult-adult relationship characterized by The Bell Jar, which together reflect women's living status during different time and their aspiration for equal communication.
出处
《海外英语》
2011年第10X期259-261,267,共4页
Overseas English
基金
武汉理工大学"中央高校基本科研业务费专项资金资助"项目成果(项目编号:2010-ZY-WGY-002)
关键词
女性文学
医患关系
黄色的墙纸
觉醒
钟形罩
female literature
doctor-patient relationship
The Yellow Wallpaper
Awakening
The Bell Jar