朝鲜后期文坛对明代唐宋派文论的接受

Acceptance of Tang-Song School Literary Theories in Ming Dynasty by the Literary Circle in Late Chosun Dynasty

明代唐宋派文论在朝鲜后期文坛的兴起与盛行,体现了朝鲜后期文人对明清文学思潮的接受与反思。朝鲜后期文坛对唐宋派的接受历程经历了认识接受期、强化巩固期、影响深入期三个阶段;在前两个阶段,朝鲜文人对唐宋派的接受主要体现在理论批评与创作普及的层面上,而第三个时期的接受反映在朝鲜文人对唐宋派文论的吸收与活用上。朝鲜后期文人通过接受"重道不轻文"与"由唐宋上窥秦汉"的理念,解决了文坛上一直以来的模拟、俚俗风气,并打破了推崇秦汉古文抑或唐宋古文、相互抵牾的局面。

The rise and prevalence of Tang-Song literary theories in Ming Dynasty in the literary circle in late Chosun Dynasty embodies the acceptance and introspection of literati in late Chosun Dynasty for literature ideological trend in Ming and Qing Dynasties. The re- ception of the literary circle in late Chosun Dynasty for Tang-Song school has experienced such three stages as perception and acceptance stage, intensifying and consolidating stage and influence deepening stage. The acceptance of literati in late Chosun Dynasty for Tang- Song school in the first two stages is mainly reflected in theoretical criticism and creation popularity, and the acceptance of the third stage is reflected in the absorption and flexible utilization of literati in late Chosun Dynasty for Tang-Song literary theories. Literati in late Chosun Dynasty, by virtue of accepting the theories of ＂paying equal attention to Dao and wen＂ and ＂prying into Qin and Han Dynasties via Tang and Song Dynasties＂, have solved the stubborn imitation and vulgar style in the literary field, and broken through the situation of reciprocal inhibition between ancient proses in Qin and Han Dynasties and those in Tang and Song Dynastie