影像视野下都市个体的空间记忆与精神生态——以四部国产公路电影为视角

The spatial memory and spiritual ecology of urban individuals in the feld of vision——From the perspective of four domestic highway flms

城市化进程以突飞猛进的速度进行着延展,都市人群本真生活状态的描摹与情绪体验为国产电影提供了较为广阔的叙事空间。以公路电影为视角,将社会转型时期都市的个体心理、精神与价值等问题,置于影像话语的框架之下,以期实现对社会变迁的民众精神生态进行考察。国产电影作为一种重要的文化话语实践,影像叙事应该保持价值意识,在不断变化的多元文化环境中觉察时代的欲求和心声,寻求人类共同的心灵故乡。电影叙事在某种程度上应当成为人类生命意识形态再生产的过程,同时也应该成为不同历史时期民间心态史的重要记录资料,影像叙事有必要更加关注民间叙事的视角,并不断实现转型时期民众精神成长的观照。由此,国产电影寻找、建构起自身的文化主体性,书写自身民族价值取向的历史发展脉络,依旧是不容忽视的重要方向与命题。

The urbanization process is extended at a rapid pace, and the description and emotional experience of the true living conditions of the urban population provide a broader narrative space for the domestic f lms. Taking the road f lm as the angle of view, the individual psychology,spirit and value of the urban transition period are placed under the framework of the image discourse, so as to realize the spiritual ecology of the social change.Domestic film as an important cultural discourse practice, image narrative should maintain the value of consciousness, in a changing multi-cultural environment in the era of the desire and aspirations,to seek common human heart of the hometown.The narration of cinema narration should be the process of reproduction of human life ideology in some extent. It should also be an important record of the history of folk history in different historical periods. It is necessary to pay more attention to the narration of folk narration and to realize the spirit of the people in the transition period Growth of the observation. Thus, the domestic film to find their own cultural subjectivity, to build its own cultural subjectivity, writing their own national value orientation of the historical development context,still can not be ignored important direction and proposition..