性别文化视域下的原型传承:藏族当代诗歌的父亲与母亲形象

Primitive Inheritance under the Gender Culture Perspective:The Images of Father and Mother in Tibetan Contemporary Poetry

20世纪80年代以来,藏族当代诗歌在逐渐深化的民族身份确认创作思潮背景下,显示出日益鲜明的民族文化品质,不仅以特有的意象丰富了中华诗坛,更为中华民族文化的创新再造提供了有益的借鉴。从性别文化的角度观察,藏族当代诗歌中大量存在的父亲、母亲意象,是在古老的传统文化影响下的一种集体无意识的民族文化特点展现,诗作中对父亲形象的无意识精神偶像指认背后带有明显的"猕猴崇拜"的原型传承,在父亲形象和母亲形象对举的诗篇中,以父为主和以母为次的关系呈现也折射出"猕猴和罗刹女"神话的原型影响。藏族诗人对乡土观念和家园意识的坚守,彰显了宝贵的田园诗意价值,是对人类原初的温情的守护。

Since 1980 s , under the creative trend of thought the Tibetan contemporary poetry started torecognize national identity, and it also revealed distinct national cultural quality. It flourished the poemaltar of China with special thinking and image, and use as a source of reference for the cultural inno-vation of China. Observing from gender culture perspective the phenomenon of poets describe the image of father and mother in the poems, it is a kind of population un - consciousness revealing about national culture characteristic under the ancient tradition influence. It is obvious that the poems reflects “ Monkey Worship” archetype lineage behind the curtain of un - consciousness recognizing father as a spiritual idol.The father always acts as a master role,but the mother always acts a lesser role.It is certain that such roles are a result of influence of ＂Monkey and Hag＂fairy tale.