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必然的对称——贝尔格《露露·间奏曲》分析 被引量:5

Inevitable Symmetry-An Analysis Of The Intermezzo Of The Lulu By Alban Berg
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摘要 文章以贝尔格歌剧《露露》中的一首《间奏曲》为例 ,通过对剧情和相关主题材料的分析 ,指出了它“严格对称”的结构形式及其“必然对称” The article took the Intermezzo from Alban Berg's opera Lulu as an example, through the analyses of the plot of the opera and related thematic materials, pointed out its structure form of the 'strict symmetry' as well as its content bases of the 'necessity symmetry'.
作者 彭志敏
出处 《黄钟(武汉音乐学院学报)》 北大核心 2002年第1期3-11,共9页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 对称 贝尔格 露露 十二音 序列 Symmetry Alban Berg Lulu Twelve-tone method Serial
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同被引文献20

  • 1姚恒璐.镜像与透视—音乐作品中结构比例的共性[J].交响(西安音乐学院学报),2001,20(3):30-34. 被引量:4
  • 2李政道.评《生命的风景》:天地之艺的探寻者-吴冠中,清华新闻网http://news.tsinghua.edu.cn,2003-10-31.
  • 3童忠良.对称乐学文集[M].上海:上海音乐出版社,2004.
  • 4Bass, Richard. "Models of Octatonic and Whole tone Interaction: George Crumb and His Predecessors," Journal of Music Theory, 38/2, 1994, P155-186.
  • 5Bass, Richard. "Liszt's Un sospiro: An Experiment in Symmetrical Octave-Partitions," Journal of the American Liszt Society, (32) 1992,P16-37.
  • 6Bernard, Jonathan. "Space and Symmetry in Bartok," JournalofMusic Theory, 33, 1986:P186-201.
  • 7Cohn, Richard. "Properties and Generality of Transpositionally Invariant Sets," Journal of Music Theory, 35/1, 1991, P21.
  • 8Cohn, Richard. Inversional Symmetry and Transpositional Combination in Bartok," Music Theory Spectrum, (10) 1988, P19-42.
  • 9Finney, Lee Ross. Inventions, Summy Publishing Company, 1957.
  • 10George, Jon. A Day in the Jungle, Suzuki Method International, 1994.

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