“调式交替”理论之比较研究

On the Research of the Theory of the Alternation-Modes

注重概念、术语的准确性、规范性和系统性 ,对学科的建构与发展具有至关重要的作用。“调式交替”作为现代民族乐学理论中的一个基本概念 ,其内涵缺乏统一和规范。文章通过对此所作的比较研究 ,试图找回原本属于“我们自己的”原理和技法———“同宫犯调”。

As one of the basic conception in modern ethnomusicology, the connotation of the term alternation-mode does not normalize and lack of unified. The papers try to resume the Chinese traditional principle and technique that is the tong gong fan diao (a Chinese way to modulation).