摘要
在中国乐律学史上 ,大晟律有着重要的学术地位 ,它的理论依据甚为荒唐而实践价值却十分重要。通过相关文献的考察 ,尤其是对遗存今天的大晟钟的乐律学研究 ,我们发现 ,大晟律以魏汉津的指尺理论为名 ,但实际上具体定律、制器的人是当时深谙民间音乐的宫廷乐工。音乐文化史上的大晟律 ,存在名实之变、历史之变 ,而且这些变化才是大晟律在音乐实践中经得住考验、合于长期应用的真正原因。
The Da-Sheng musical temperament occupied an important academic place in Chinese musical temperament history. Its theory was ridiculous, but the practice was quite valuable. The Da Sheng musical temperament in the Chinese music culture history, set up by the royal musician who known well the folk music. It took the vicissitude and the historical evolvement, and became one of the significant temperament system in the Chinese music history.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2002年第2期65-70,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
大晟律
理论依据
实际制订
名实变迁
历史变化
Da Sheng Musical Temperament
theoretical foundation
vicissitude
historical evolvement