论两首歌剧咏叹调演唱的呼吸应用

On The Breath of the Singing in Two Operatic Areas

文章选择了莫扎特的歌剧《费加罗的婚礼》中的《哪里去了 ,美好时光》和普契尼的歌剧《艺术家的生涯》中的《人们叫我咪咪》两部作品进行呼吸应用的分析及对比。针对呼吸过程的四个阶段 ,寻找出两部作品在演唱中呼吸应用的差异 ,从而更好地用声音塑造出两个不同人物的个性及其音乐所赋予的魅力。

The writer chose two arias 'Mi chiamano Mimi' from La Boheme by G. Puccini, 'Dove sono I bei momente' from Le Nozze Di Figaro by W. A. Mozart, as the examples explained the application of the breath in the singing. For the four moments of the breath, the article dissertated the different usage of the air supporting in those two pieces, to create the different figures by voicing.