摘要
文章基于局内人的认识角度和道内文献资料 ,考辩道乐文献《玉音法事》的名实。批驳了前人“王言斋醮仪”的题解和“斋醮仪中吟北宋帝御制道词”的定性 ,提出其题名是两个等价概念组合的新释 :“玉音”解为“仙乐” ,乃道内对道乐审美意味的泛称。“法事”解为“(斋仪 )词曲” ,为道内对道乐实用意味的泛称。合解“仙乐词曲 (集 )”。又进一步结合文献实质内容分析其与新题解的对应性。由此断论《玉音法事》之性质是供教习及演出的道乐词曲专集 ,是正统道乐固有系统的有机延续 。
Based on the common knowledge and the Taoist documents, the papers discussed what was the real meaning of Yuyin Fashi, an important taoist music document. The writer held that the Yuyin Fashi acturally was a collection of the Taoist music and words for study and performance, a lineal system of the Taoist music.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2002年第3期71-75,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
道教音乐
玉音法事
王言斋仪
仙道音乐
道乐系统
Taoist music
Yuyin Fashi
Wangyan Zaiyi
fairyism Taoist music
the system of Taoist music