音级概念与音结构逻辑的内在联系

The Logical Internal Relation Between The Conception Of Degree And The Tone Structure

文章指出“宫角大三度”单一标准在音级与调式判断上的局限性 ,取全方位的观察角度 ,对无大三度音程的三声音列、四声音列的音级与调式属性判断提出新的分析方法 ,并兼及具有三个大三度的七声音列的音阶判断。此外 ,对音阶音级数为何普遍以“七声”为限及中国音乐的偏音特性作出理论逻辑上的解释。

The article pointed out that it was a limitation to take the gong jiao major third as the only criterion to judge the degrees and modes. The writer brought forward a new analyses way to judge the degrees and modes of the three note row, four note row, which without any major third interval, and it could distinguish the scale attribute of a seven note row with three major thirds as well. Furthermore, it explained logically and theoretically to the features of pian tone in Chinese music and why the numbers of the scale degrees generally in seven tone.