摘要
公元6世纪中期,中原北方东部地区开始出现一种以双菩提树为背屏、北齐新样式佛像为主尊、常以镂孔透雕形式表现的白石佛教造像,其造型精美,特征鲜明,与早年流行的尖楣状背屏造像形式迥异。本文以邺城地区历年出土佛像为中心,结合周边区域同类背屏式造像,探讨北齐"龙树背龛式"造像的构图特征及技术传承。
In the middle of the 6th century AD, a new style of Buddhist marble sculpture appeared in the east of Northern China, which was characterized by a back niche with a double-bodhi-tree image, a new Northern-Qi-Dynasty style of Buddha, and openwork carving technique. All the features were completely different from the previous sculpture style, which was featured by a back screen of a steepletop. Centering Buddhist sculptures unearthed at the Ye City site, this article, incorporating similar Buddhist statues discovered in surrounding regions, discusses technique traditions and pictorial features of the ＂dragon-tree back niche＂ style in the Northern
出处
《中原文物》
北大核心
2017年第4期73-78,共6页
Cultural Relics of Central China
关键词
北齐
“龙树背龛式”造像
图像特征
技术传承
Northern Qi Dynasty, Qi Dynasty. ＂dragon-tree back niche＂ style, pictorial features, technique tradition
