摘要
妇好墓展与海昏侯展是以"他传个人史"为视角展开相应社会生活图景的两个典型展览,这两个展览在很大程度上类似于人物生平展示介绍的一种展示结构。在完全以出土"私人物品"为展示对象的展示中,信息残缺严重的情况下,可以将墓主人的身份进行"模糊处理",即仍需将其大致归于一个人群,同时将能够说明的问题进行细致分类。这是一种在个体认同无法确知的情况下,尝试解决问题的新途径,这一方法是对用考古资源展示"个体"过程中一般规律的探讨。
The tomb of Fu Hao exhibition and the Haihunhou exhibition are two typical examples of ex- hibitions that depict the life scenes of the society that the subject lived in. In many ways, they are of the same narrative structure as those that focus on the lives of the subjects. For the exhibitions that entirely rely on the unearthed objects due to the severe lack of information of the subject, one option is to implement a "fuzzy treatment", which means to shift the focus from the individual to the groups he or she belongs to and make interpretations of the group identities. This is a solution to the cases where the subject identification is insufficient, and can be regarded as an attempt to explore the rules of presenting individuals through archae- ological materials.
作者
周高亮
ZHOU Gao-liang(The Palace Museum, Beijing, 10009)
出处
《东南文化》
CSSCI
北大核心
2017年第4期89-92,共4页
Southeast Culture
关键词
展览
考古学
妇好墓展
海昏侯展“他传”视角
策展
exhibition
archaeology
the tomb of Fu Hao exhibition
the Haihunhou exhibition
biographical perspective
curation