摘要
风景油画是现代油画艺术中的一种重要题材。自19世纪初法国巴比松画派一改往日单纯摹写自然风景的油画传统以来,风景油画的空间形式语言和结构发生了革命性的变化,其创作方式由写实转向写意,由再现转向表现,形式语言和结构亦由具象走向抽象。风景油画的审美精神发生了"质"的嬗变,其中所蕴含的"主体性"和"表现性"赋予其艺术意象、意境和新的审美意趣,而作为艺术家内在精神承载的空间形式结构因素,对于风景油画的创新意义重大。
Landscape oil painting is an important theme in the modem oil painting. Since the beginning of 19th century France Barbizon school drew simple rural landscapes, language of spatial form and structure of landscape oil painting had the revolutionary change. Its way of creation changed from realistic to spiritual, from reproduction to expression, the formal language and structure changed from concrete to abstract. The aesthetic spirits of landscape oil painting has undergone a fundamental revolution, "subjectivity" and "expressiveness" brought about artistic image, conception and new aesthetic interest. As the form of an artist' s inner spirit, the spatial form and structure is very important for creation of landscape oil painting.
作者
王文娟
Wang Wenjuan(Academy of Arts, Qilu Normal University, Jinan 250013, China)
出处
《齐鲁师范学院学报》
2017年第4期136-141,共6页
Journal of Qilu Normal University
基金
山东省社会科学规划研究项目文丛.青年项目"油画风景的空间形式结构因素及运用"(批准号:16CWYJ05)
关键词
风景油画
空间形式
结构
Landscape oil painting
Spatial form
Structure