中日“寻根”视域下的别样“雪国”

Another Yukiguni under the vision of roots-seeking——in the case of Kawabata Yasunari, Zheng Wanlong and Wureertu

20世纪,中日都出现过"寻根"文学潮流,其中日本作家川端康成与中国东北作家均将"根"寻向民族的"雪国"。但文化有异,"雪国"自然别样。受"物哀"文化影响,川端康成的"雪国"风景"静美";中国"雪国"则峭拔"壮美"。对待生命,日本崇尚"消亡美学",《雪国》表现出对死亡的赞美;而中国人"贵生",东北"雪国"人珍惜生命,自强不息。对待爱情,川端康成将爱情看做"徒劳";中国"雪国"则抒写着爱的"忠贞"。

In the 20th century, there were ＂roots-seeking＂ tide in both China and Japan, in which Japanese writer Kawabata and authors in northeast China all took their eyes on their own snow world. Culture is different,the snow worlds are also different. Kawabata＇s snow world is peaceful under the circumstance of mono no aware, whereas China＇s one is magnificent. In face of life, Japanese advocate death so Yukiguni express praise of death; but Chinese prefer life so the people in the snow world northeast China cherish life.In Kawabata＇s view, love is futile effort, but Chinese snow world is writing about the loyalty of love.