女性羌族舞蹈胯部律动视觉表征

Visual Representation of Hip Rhythm of Female Dance of QiangNationality

羌族女性舞蹈中的胯部律动以它特有的形体律动作为标识,区别于其他少数民族舞蹈。目前国内的研究,对羌族舞蹈的胯部动律的视觉表征进行深度挖掘亟待深入。羌族民俗舞蹈活动的原生目的是带有图腾崇拜和祭祀神灵表达,女性在传统羌族舞蹈中扮演着举足轻重的角色。当代文化语境之中,羌族女性舞蹈面临着脆弱化的困境,然而现代舞美设计中的数字技术却为羌族女性舞蹈在当代的转捩提供了新的视觉语汇。

Female dance of Qiang nationality is unique in the hip rhythm and different from dance of other nationalities for that. In present studies in China, there is still much to be done in probing into visual representation of hip rhythm of dance of Qiang nationality. Folk dance of Qiang nationality o- riginates from Totem worshiping and sacrificing expression to gods, and women play a key role in per- formance of traditional dance of Qiang nationality. In contemporary context of culture, female dance of Qiang nationality is in a dilemma of delicacy. Digital technology in the design of modern dance and arts offers new visual vocabulary for contemporary transformation of female dance of Qiang nationality.