温庭筠“能逐弦吹之音,为侧艳之词”释证

The Explication and Research on Wen Tingyun's “Act as Virtuoso in Music and Write as a Veteran in Romantic Verse”

温庭筠是晚唐时期杰出的诗人和词家,《旧唐书》本传记载他"能逐弦吹之音,为侧艳之词"。这两句话不仅是对温庭筠行为和创作的描述,而且也是对晚唐五代词体文学发展过程中文学本质和音乐功能的揭示。温庭筠对与音乐相关的两种文体——乐府倚曲、词体创作,都做出很大的贡献,新出土的温庭筠所撰的《杨辇墓志》表现的倚声观,更有助于对温庭筠乐府和词作的理解。词是"声"与"诗"逐渐融合而又不断变化而形成的新的音乐文学体式,温庭筠在这一体式形成过程中扮演了至关重要的主体角色。

Wen Tingyun is an eminent poet in the Late Tang period.According to the record of this biography in The Old Book of Tang（Jiu Tangshu）,he＂Act as Virtuoso in Music and Write as a Veteran in Romantic Verse＂.This text is not only a description about Wen’s behaviors and works,but also a revelation of the literature nature and music function in the development process of the Ci Style literature in Late Tang and Five Dynasties.Wen made a monumental contribution to two related styles：Yuefu Peom and Ci.The view on Yisheng showed in the new excavated Epitaph of Yang Nian written by Wen is helpful for us to understand Wen’s works of Yuefu Poem and Ci.Ci was a new musical literature style which is formed as the integration of music and poem and its continuous transformations while Wen played an essential role in the forming procedure of this style.