当代俄罗斯戏剧与安托南·阿尔托的“残酷戏剧”

Modern Russian Drama and Antonin Artaud's Theatre of Cruelty

当代俄罗斯社会的运行状况使其戏剧创作蒙上了一层荒诞色彩,无处不在的荒诞逻辑吸引和改造着当代俄罗斯导演们在生活中的感情,并以"残酷戏剧"的艺术表现形式在舞台上呈现出来。文中所关注的俄罗斯当代戏剧导演Б.福金、Б.米尔佐耶夫和А.纳扎罗夫及其作品对俄罗斯戏剧舞台上人类生存的荒诞性做出了近似"残酷"的艺术阐释,分别从不同的舞台维度呈现出属于残酷美学的特质。笔者认为俄罗斯当代戏剧与法国戏剧理论家阿尔托所倡导的"残酷戏剧"存在某种关联,对于现代导演来说,更应该关注的是20世纪戏剧所蕴含的残酷美学特质本身。

Due to the current social situation of Russia, Russian dramatic writing features increasingly absurdity, which is shown on the stage in form of theatre of cruelty, appealing to and reshaping the emotion in life of modem Russian directors, including Fokine, .Mirzoyev and A＇Nazarov, who have provided almost cruel artistic explanation of absurdity of human life and expressed from various perspectives on stage the nature of aesthetics of theatre of cruelty. It＇s suggested that there are some links between modem Russian drama and theatre of cruelty of French dramatic theorist Artaud. And it＇s recommended that modem theater directors focus on the aesthetics of theatre of cruelty itself in the 20th century.