摘要
本文以《小戏骨:白蛇传》为出发点,强调身体政治和情动理论在白蛇故事中的历史感和语境化。白蛇之女体与童体成为跨越人与异类、儿童与成人疆界的桥梁。以"非人"之名行越界之人事正是白蛇故事恒久的主旨。在西方人文学界所谓"非人转向"的潮流中,白蛇主题的历史感和语境化还表现在动物、儿童、女性身体作为人类、成人、男性主体的异类在不同时代不同地域所承载的反抗性政治潜能和情动驱动力。
Inspired by Legend Of The White Snake played by children, this paper focuses on the body politics and emotions from the viewpoint of sense of history and contextualization in the story of the White Snake. The White Snake in the form of woman and child becomes a bridge between a human being and an alien, between a child and an adult. A non-human being is living like a human being is the eternal theme of the story of the White Snake. With the trend of non-human diversion in the Western humanity science, sense of history and contextualization in the story of the White Snake as the theme is reflected in the phenomenon that an animal, child, and woman played as the main part of human being, adult, and masculinity in the story represent the political resistant potentials and emotional momentum in the different time and areas.
出处
《文学与文化》
2017年第2期63-69,共7页
Literature and Culture Studies
关键词
《小戏骨
白蛇传》
历史感
非人转向
Legend Of The White Snake Played By Children
Sense of History
Non-human diversion