论李渔戏剧理论的“陌生化”思维

On Defamiliarization Thinking of Li Yu's Drama Theory

"陌生化"是布莱希特戏剧理论的核心概念之一,奠定了西方现代戏剧的基础。李渔是中国明末清初的剧作家和戏剧理论家,他初步建立起系统完善的中国传统戏剧理论体系。李渔提出来的剧作立意追求新奇、戏剧情节强调虚构、戏剧语言突出机趣等观念,具有明显的陌生化思维特征。探讨李渔戏剧理论中的"陌生化"思维,在全面把握李渔的戏剧美学思想、推动中西艺术观念的深入研究等方面具有重要价值。

＂Defamiliarization＂was one of the core concepts of Bertolt Brecht’s drama theory,this concept laid the foundation of modern drama in western society. Li Yu was a Chinese dramatists and drama theorist during the period of late Ming and early Qing dynasties,he preliminary established the system of the theory system of traditional Chinese drama. Li Yu thought that drama should pursue novelty,drama should fiction and the language of drama language should interesting and clever. His these ideas showed obviously the characteristics of defamiliarization thinking. The study of defamiliarization thinking in Li Yu’s drama theory,has important value in fully grasping Li Yu’s dramatic aesthetic thoughts and promoting the study of Chinese and Western artistic ideas.