摘要
钢琴即兴伴奏是在旋律识读的音乐情景中,实施"想着弹"伴奏的音乐演奏实务。这一"想着弹"过程中的"想",实属音乐创作意识的观念引领。钢琴即兴伴奏中的创作意识涵括了旋律意识、和声意识、曲式意识和音乐织体的主调意识、复调意识、配器意识等作曲技术的原理性内容。本文针对钢琴即兴伴奏过程中的音乐创作意识,曰其概念,明其思路,探其学习实践的路径方法,以期理性地优化钢琴即兴伴奏的行为观念,提高其伴奏实务中的"形而上"与"形而下"的音乐艺术水平。
Piano improvisation is the implementation of "thinking while playing"practice in the melody music playing. This "thinking" in the process of "playing" is the concept of music creative conscious- ness. The creative consciousness of piano playing improvisation includes the principle content of melody consciousness, harmony consciousness, musical consciousness and music texture, conspiracy conscious- ness, compound consciousness and so on. In order to rationally optimize the piano improvisation style of behavior and improve the "metaphysical" and "metaphysics'in the accompaniment practice, this paper aims at the rationality of the piano playing improvisation to improve "metaphysical'musical art level.
出处
《湖州师范学院学报》
2017年第7期92-97,共6页
Journal of Huzhou University
关键词
即兴伴奏
创作意识
旋律意识
和声意识
织体意识
曲式意识
improvisation
creative consciousness
melody consciousness
harmony consciousness
weaving consciousness