摘要
在此将黔北部傩戏演绎者(同时也是传播者)的传播活动重新还原在社会传播情境中,意图探寻在现代媒介生态中,黔北部傩戏所表现出的、极具代表性的知识情境与社会互动的双向建构过程。观察当代贵州地方戏曲从业者、演绎者对自身传播能量及效果的定位与认知,及这种自我认知如何影响他们的传播行为。在厘清黔北傩戏的传播现状的基础上,结合新的媒介生态特点,对傩戏传播提出了沿袭傩戏传统脉络并尊重傩戏导人向善的品质以挖掘新增长点、建设数字化平台等对策。
In this paper,the communication activities of the performers(also the communicator) of Nuo Opera in the northern part of Guizhou are restored in the social communication situation. It was intended to explore the two-way construction process of highly representative knowledge situation and social interaction manifested in the Nuo Opera in the northern part of Guizhou in the modern media ecology. In addition,the paper tries to observe the positioning and awareness of own energy transmission and effect of the local opera practitioners and performers in Guizhou, as well as how the self-awareness impacts on their communication behaviors. On the basis of clarifying the current transmission situation of Nuo Opera,combining with the characteristics of new media ecology, the paper puts forward some countermeasures including following the traditional practices of Nuo Opera,respecting the quality of guiding people toward goodness of the Nuo Opera to tap the new growth point,and construct the digital platform and so on.
出处
《贵州民族研究》
CSSCI
北大核心
2017年第7期165-170,共6页
Guizhou Ethnic Studies
关键词
傩戏
地方戏曲传播
社会互动理论
摩尔定律
长尾效应
nuo drama
Local operas spread
Theory of social interaction
Moore's law
The long tail