论莱辛《金色笔记》中的话语形式

On the Discourse Form of Doris Lessing's The Golden Notebook

《金色笔记》一改莱辛前期作品的现实主义叙事,采用元小说的形式,呈现故事嵌套故事的结构,具有鲜明的互文性特色。莱辛的形式变革具有深刻的思想根源,是她对现代性话语不断反思的结果。话语体现人们建构的现实图景,其差异折射出不同的思维模式。莱辛从主人公安娜的叙述视角审视话语所塑造的不同故事,她通过重写突显了现代性话语的悖谬性,认为只有突破同一性的话语循环,打破陈旧僵化的思维模式,才能解构普遍存在于人们意识的"思想包"。新话语通过让弱者发出"微小的个人声音"来恢复被宏大叙事遮蔽的、多元异质的现实世界。

In The Golden Notebook,Doris Lessing changes the realistic narrative of her earlier works. She adopts the form of meta-fiction and uses the structure of enclosed stories,which give the work distinctive characteristics of intertextuality. Lessing's change has deep ideological roots. It proves that the root of the change lies in Lessing's thinking on the discourse of modornity. She believes that only by understanding the paradoxical nature of the discourse of modernity and breaking out of the cycling of the same discourse can we break the old rigid thinking mode and get rid of the widespread idea of 'package'commonly received by people.