中西交流视野下的明代私家园林实景绘画探析

An Analysis of Realistic Garden Paintings in the Ming Dynasty in the Context of Eastern and Western Communication

明代是园林绘画发展的关键时期,表现出独特的实景倾向。通过分析"再现"与"表现"理念和技法在中西方绘画史上的不同发展和交流历程,揭示了明代园林绘画实景特征的形成原因:受到明代以园入画的时代风尚、西洋再现技法和宋画写实传统的共同影响。研究探讨了此类绘画的概念界定,肯定了其作为史料的史证价值,为园林绘画的图像解读提供了思路。

The Ming Dynasty （1368-1644） is a critical period for the development of garden paintings in China, when Realism became a unique tendency for garden paintings. This paper discusses the shape of this realistic tendency by analyzing the development and communication of the concepts and techniques of Reproduction and Expression in eastern and western art history. It reveals that realistic tendency in garden painting of the Ming Dynasty was influenced by the trends of the time, the introduction of western painting techniques, and the inheritance of realistic tradition from the Song Dynasty （960-1279）. The paper defines the scope of realistic garden paintings in the Ming Dynasty, discusses their value as historical evidence for garden history research, and contributes to the study and interpretation of garden paintings.