1973年:纽约大都会艺术博物馆如何开始建立世界一流的中国古画收藏被引量：3

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摘要《1973年:纽约大都会艺术博物馆如何开始建立世界一流的中国古画收藏》对纽约大都会艺术博物馆的中国古画鉴藏作了学理性的钩稽爬梳,从中可见西方对中国传统绘画保藏的不懈努力。书画代笔现象在古代司空见惯,尤其知名画家尝乐于此道。《萧云从画作的代笔人》对明末清初画家萧云从绘画的代笔者作了初步探讨,并论证其代笔者萧一芸的生平与绘画创作。《"神"与中国绘画美学的融合》指出中国古代"神"的语义主要是指神灵,自东晋顾恺之提出"传神"论之后,开始与绘画美学相融合,并衍生出"气韵""图真"等新的语词,促使"神"的美学内涵不断得到扩充,形成现代美学中"神"的丰富含义。《石涛"一画论"的艺术创造理念》从绘画本体的立场对石涛"一画论"作了深入探讨,指出"一画论"就是中国画艺术表现的创造论。

作者谈晟广

机构地区清华大学建筑学院

出处《中国书画》 2017年第8期4-10,共7页 Chinese Painting & Calligraphy

基金中国文化走出去协同创新中心课题"美国的中国艺术史‘普林斯顿学派'研究"阶段性成果(编号:XTCX150614)

关键词一画论中国画艺术萧云从石涛中国绘画美学艺术创造东晋顾恺之夏山图鉴藏美学内涵

分类号 G894 [文化科学—体育学]

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参考文献1

1何慕文,尹彤云.方闻与大都会博物馆亚洲艺术收藏[J].西北美术（西安美术学院学报）,2016(2):40-46. 被引量：3

二级参考文献48

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