《文心雕龙》与中国文论感觉体验性话语的建构

The Literary Mind and the Carving of Dragons with the Chinese Literary Theory of Sensory Discourse

根植于深广的诗性文化,中国文论喜欢用五官的日常体验去比拟文学,从而延生出大量的富于感官体验的直觉性文论范畴和概念。以《文心雕龙》"视、听、味、佩"说为代表的感觉性文论话语,大量运用于从文学创作到阅读欣赏的一系列过程的描述,从而从最根本的意义上决定其文论思维特征的体验性。以《文心雕龙》为代表的成熟期的中国文论,从范畴概念、话语方式到思维方式,都具有的感觉体验性,建构起一套富于民族特色的感觉体验性的文论话语。这套感觉性的文论话语对于后世文论产生深远影响。

Rooted deeply in profound poetic culture,Chinese literary theory tends to compare literature with the daily experiences of five senses,and produces a large number of intuitive literary theories,categories and concepts which are full of sensory experiences. Sensory literary discourses,represented by ” Vision,hearing,smell,and Pei” in ” The Literary Mind and the Carving of Dragons”, are ＂widely used in literature creation and reading appreciation,thus determines its most basic experiential characteristic. ”The Literary Mind and the Carving of Dragons” as the representative of the Chinese literary theory,ranging from the literary concept,mode of dis- course,the ＂way of thinking to the feeling experience,has built a traditional sensory literary discourses,＂which has a profound influence on the later literary theories.