摘要
冯小刚与刘震云合作后,其电影风格发生了很大改变,开始逐渐摆脱王朔话语的影响,而深受刘震云新写实风格和新历史叙事的影响。电影《我不是潘金莲》是冯小刚根据刘震云的同名小说改编而来,这部小说是刘震云对个体存在之思的延续,冯小刚导演在故事上没有做大的突破和修正,但他找到一条用外在形式的疏离感来表达荒诞现实生活内容的影像形式,对电影构图和影像叙事进行一次彻底的革命,给观众带来了新的观影体验。
After the cooperation between Feng Xiaogang and Liu Zhenyun,the film style of Feng Xiaogang changed a lot. He grad-ually began to get rid of the influence of Wang Shuo's words,and was deeply influenced by Liu Zhenyun's new realistic style and his new historical narrative. The movie I am not P a n J in l ia n directed by Feng Xiaogang was adapted from Liu Zhenyun's novel of the same name. The novel is a continuation of Liu Zhenyun's thought of individual existence. Feng Xiaogang didn't make great breakthrough and revision in the story,but he found a sense of alienation from the external form to express the content of absurdity of reality image. This is a complete revolution of the film composition and image narrative,and it gives the audience a new viewing experience.
出处
《中州学刊》
CSSCI
北大核心
2017年第8期164-166,共3页
Academic Journal of Zhongzhou
基金
河南省社会科学规划项目"中西方大众文化观影响下的中国电视文艺核心价值观构建研究"(2016BYS013)
关键词
冯小刚
影像叙事
荒诞喜剧
疏离感
存在与超越
Feng Xiaogang
image narration
absurd comedy
alienation
existence and transcendence